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	<title>JamieKuse &#187; money</title>
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	<link>http://jamiekuse.com</link>
	<description>Producer &#38; Engineer</description>
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		<title>Learning Curve: How To Get Funding as a Canadian Artist</title>
		<link>http://jamiekuse.com/how-to-get-funding-as-a-canadian-artist/</link>
		<comments>http://jamiekuse.com/how-to-get-funding-as-a-canadian-artist/#comments</comments>
		<pubDate>Mon, 08 Nov 2010 19:31:11 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Blog Post]]></category>
		<category><![CDATA[Learning Curve]]></category>
		<category><![CDATA[canadian arts council]]></category>
		<category><![CDATA[factor]]></category>
		<category><![CDATA[factor grants]]></category>
		<category><![CDATA[funding]]></category>
		<category><![CDATA[loans]]></category>
		<category><![CDATA[management]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[musicbc]]></category>

		<guid isPermaLink="false">http://jamiekuse.com/?p=640</guid>
		<description><![CDATA[What musician doesn&#8217;t want some additional funding to help them record, tour, make a music video, make a website, or do any of the other things that are necessary to get ahead today? You may have already heard about people appling for government funded Factor grants, but are still unsure of how to do so [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" src="http://network.nationalpost.com/np/blogs/wealthyboomer/canadian-money2.jpg" alt="" width="122" height="116" />What musician doesn&#8217;t want some additional funding to help them record, tour, make a music video, make a website, or do any of the other things that are necessary to get ahead today? You may have already heard about people appling for government funded Factor grants, but are still unsure of how to do so your self. The fact is: if you aren&#8217;t perusing some of these grants, or similar ones, you aren&#8217;t hustling hard enough. We do a lot of FACTOR funded recording here at Creativ. You should be getting in on our government&#8217;s willingness to help out Canadian musicians. Here&#8217;s the main avenues, via <a href="http://twitter.com/musicbc" target="_blank">@musicbc</a>:</p>
<h2><span style="text-decoration: underline;"><strong>RECORDING:</strong></span></h2>
<p><em>If you are a recording artist looking for help in the application process, please <a href="http://www.jamiekuse.com/contact">contact me</a> and I can help get you pointed in the right direction.</em></p>
<p><strong> </strong></p>
<h3><strong>FACTOR </strong></h3>
<h4 style="padding-left: 30px;"><strong>Demo Grant</strong></h4>
<p style="padding-left: 30px;"><a href="http://factor.ca/ProgramDetails.aspx?ID=24">http://factor.ca/ProgramDetails.aspx?ID=24</a></p>
<p style="padding-left: 30px;">This  program assists new artists, professional songwriters (songwriters that  are members of a performing rights organization) and publishers with  the production of their songs on a high quality demo recording, as well  as basic press kit expenses, to enhance their career.FACTOR may provide a  contribution of up to a maximum of $2,000 which represents 75% of the  total eligible recording budget.<span id="more-640"></span></p>
<h4 style="padding-left: 30px;"><strong>Juried Sound Recording Loan Program</strong></h4>
<p style="padding-left: 30px;"><a href="http://factor.ca/ProgramDetails.aspx?ID=25">http://factor.ca/ProgramDetails.aspx?ID=25</a></p>
<p style="padding-left: 30px;">The  FACTOR Loan program assists Canadian owned and controlled labels and  Canadian artists by partially financing the production costs of sound  recordings or music DVD’s for commercial release. If the applicant meets  FACTOR’s distribution criteria. FACTOR may provide a loan of up to a  maximum of $25,000 or $2,500 per track (Urban and Electronica) which  represents 75% of the total eligible budget.</p>
<p style="padding-left: 30px;">If  the applicant does not meet the FACTOR distribution criteria, FACTOR  may provide a loan of up to a maximum of $15,000 or $1,500 per track  (Urban and Electronica) which represents 75% of the total eligible  budget.</p>
<h2><span style="text-decoration: underline;"><strong>TOURING:</strong></span></h2>
<p><strong> </strong></p>
<h3><strong>BRITISH COLUMBIA</strong><strong> ARTS COUNCIL</strong></h3>
<h4 style="padding-left: 30px;"><strong>Touring Initiatives</strong></h4>
<p style="padding-left: 30px;"><a href="http://www.bcartscouncil.ca/programs/program.php?active_page=797&amp;mess%20age=saved">http://www.bcartscouncil.ca/programs/program.php?active_page=797&amp;mess age=saved</a></p>
<p style="padding-left: 30px;">Touring  Initiatives supports professional artists and arts and cultural  organizations in British  Columbia to develop markets outside the  province or to represent British Columbia at significant national or  international exhibitions or events.</p>
<p><strong> </strong></p>
<h3><strong>CANADA</strong><strong> COUNCIL OF THE ARTS </strong></h3>
<h4 style="padding-left: 30px;"><strong>Music Touring Grants</strong></h4>
<p style="padding-left: 30px;"><strong><a href="http://www.canadacouncil.ca/grants/music/se127227196662968750.htm">http://www.canadacouncil.ca/grants/music/se127227196662968750.htm</a></strong></p>
<p style="padding-left: 30px;">Deadlines – June1st , for tours occurring between the following September and</p>
<p style="padding-left: 30px;">April, or December 1st, for tours occurring between the following April and October.</p>
<p style="padding-left: 30px;">Music  Touring Grants are for Canadian and foreign professional music artists  (individuals), groups and organizations that wish to tour within Canada.  For this program, groups include ensembles, bands and collectives.</p>
<h4 style="padding-left: 30px;"><strong>Travel Grants to Professional Musicians (Individuals)</strong></h4>
<p style="padding-left: 30px;"><a href="http://www.canadacouncil.ca/grants/music/qc127245459646718750.htm">http://www.canadacouncil.ca/grants/music/qc127245459646718750.htm</a></p>
<p style="padding-left: 30px;">This  program offers Canadian music professionals (individuals) an  opportunity to travel on occasions important to their artistic  development. Music professionals include instrumentalists, singers,  composers, librettists, arrangers, performers, conductors,  singers/songwriters, artistic directors and opera stage directors.<strong> </strong></p>
<h4 style="padding-left: 30px;"><strong>International Touring Assistance in Music (Pilot Project)</strong></h4>
<p style="padding-left: 30px;"><a href="http://www.canadacouncil.ca/grants/music/mj128379046594093804.htm">http://www.canadacouncil.ca/grants/music/mj128379046594093804.htm</a></p>
<p style="padding-left: 30px;">The  International Touring Assistance in Music (Pilot Project) program  provides project assistance for Canadian professional music artists  (individuals, ensembles, bands, collectives, groups and organizations)  to tour outside of Canada.</p>
<p><strong> </strong></p>
<h3><strong>FACTOR</strong></h3>
<h4 style="padding-left: 30px;"><strong>Tour Support</strong></h4>
<p style="padding-left: 30px;"><strong><a href="http://factor.ca/ProgramDetails.aspx?ID=31">http://factor.ca/ProgramDetails.aspx?ID=31</a></strong></p>
<p style="padding-left: 30px;">The  Tour Support Program’s objective is to support domestic and foreign  touring activities by Canadian artists and to contribute to the  development of the Canadian music industry both domestically and  internationally.</p>
<p style="padding-left: 30px;">The  maximum amount of funding available is $15,000 which represents 75% of  the total eligible budget, not to exceed the total cash expenditure, or  the amount of the shortfall.</p>
<p style="padding-left: 30px;">The sound recording that this tour will support must have sold a minimum of 2,000 confirmed units.</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<h2><span style="text-decoration: underline;"><strong>CAREER DEVELOPMENT</strong></span></h2>
<p><strong> </strong></p>
<h3><strong>CANADA</strong><strong> COUNCIL FOR THE ARTS</strong></h3>
<h4 style="padding-left: 30px;"><strong>Career Development Program: Project Grants to Artists</strong></h4>
<p style="padding-left: 30px;"><strong> </strong><a href="http://www.canadacouncil.ca/grants/music/jl127215191532656250.htm">http://www.canadacouncil.ca/grants/music/jl127215191532656250.htm</a></p>
<p style="padding-left: 30px;">The  Career Development Program assists Canadian professional musicians in  the development of their live performance and touring careers.</p>
<p style="padding-left: 30px;">These  grants support activities that enhance public performances by artists  in classical and new music, and non-classical music, of all world  cultures. The Music Section supports music made for artistic and  cultural purposes. It values distinctive artistic voices and supports  excellence, innovation, experimentation and creativity in all  established and emerging traditions of music. Competitions for funds are  national in scope.</p>
<p style="padding-left: 30px;"><strong> </strong></p>
<h4 style="padding-left: 30px;"><strong>Grants to Professional Musicians (Individuals): Non-Classical Music</strong></h4>
<p style="padding-left: 30px;"><strong> </strong><a href="http://www.canadacouncil.ca/grants/music/zw127627277732218293.htm">http://www.canadacouncil.ca/grants/music/zw127627277732218293.htm</a></p>
<h4 style="padding-left: 30px;"><strong>Grants to Professional Musicians (Individuals): Classical Music</strong></h4>
<p style="padding-left: 30px;"><strong> </strong><a href="http://www.canadacouncil.ca/grants/music/ff127245366823750000.htm">http://www.canadacouncil.ca/grants/music/ff127245366823750000.htm</a></p>
<p style="padding-left: 30px;">This  program offers grants to professional Canadian musicians working in  non-classical music of all world cultures. Grants provide successful  applicants with the opportunity to pursue their own artistic and  creative development. Professional musicians include instrumentalists,  singers, composers, arrangers, performers and singers/songwriters. There  are three categories of applicants:emerging artists, mid-career artists  and established artists.</p>
<h4 style="padding-left: 30px;"><strong>RADIO STARMAKER FUND</strong></h4>
<p style="padding-left: 30px;"><strong> </strong><a href="https://www.starmaker.ca/">https://www.starmaker.ca/</a></p>
<p style="padding-left: 30px;">The  Radio Starmaker Fund was created in the fall of 2000 on the initiative  of the Canadian Association of Broadcasters and approved by the CRTC. It  is a private fund which has as its stated purpose to “make a  substantial and discernable difference to the careers of Canadian  artists” by providing substantial incremental investment where the  artist has established a proven track record and his or her label is  making a Significant Investment in their future career.</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<h2><span style="text-decoration: underline;"><strong>VIDEO &amp; PROMOTION</strong></span></h2>
<p><strong> </strong></p>
<h4 style="padding-left: 30px;"><strong>CMT Canada Video Assistance Program</strong></h4>
<p style="padding-left: 30px;"><strong> </strong><a href="http://www.cmt.ca/Misc/VAP.aspx">http://www.cmt.ca/Misc/VAP.aspx</a></p>
<p style="padding-left: 30px;">Over  the course of our new licence term, CMT has pledged to continue to  support the production of Canadian country music videos and country  music programming through its new Video Advantage Program (CMT VAP). The  mandate of CMT’s VAP is to contribute to the growth of the Canadian  country music industry and to encourage new and established Canadian  artists to cultivate their musical talents through music videos and  program production. Over 40% of the music heard on CMT features Canadian  artists</p>
<h4 style="padding-left: 30px;"><strong>VideoFACT</strong></h4>
<p style="padding-left: 30px;"><strong> </strong><a href="http://www.videofact.ca/">http://www.videofact.ca/</a></p>
<p style="padding-left: 30px;">VideoFACT  considers applications requesting co-financing for music videos,  websites and EPKs (the latter through MuchMoreMusic’s PromoFACT award  program) six times a year.  Applications are judged by a nine-person  board of directors, and successful applicants receive non-recoupable  awards of up to 50 percent of production costs to a maximum of $25,000  for music videos and a maximum of $3,500 for websites and EPKs.</p>
<p style="padding-left: 30px;">
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		<title>Blog Post: 4 Tips For Saving Money In The Studio</title>
		<link>http://jamiekuse.com/blog-post-saving-money-in-the-studio/</link>
		<comments>http://jamiekuse.com/blog-post-saving-money-in-the-studio/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 20:26:18 +0000</pubDate>
		<dc:creator>Jamie</dc:creator>
				<category><![CDATA[Blog Post]]></category>
		<category><![CDATA[Learning Curve]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[cost]]></category>
		<category><![CDATA[drum samples]]></category>
		<category><![CDATA[how much]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[session musicians]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://jamiekuse.com/?p=202</guid>
		<description><![CDATA[For any musician or record label, having projects completed on time and within a set budget is crucial. Proper planning and due diligence are the only ways to ensure this happens. Here are a couple of universal tips based on my experiences in the studio. 1. Come prepared Excuse me for being so obvious. Coming [...]]]></description>
			<content:encoded><![CDATA[<p><!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } 		H1 { margin-bottom: 0.21cm } 		H1.western { font-family: "Arial", sans-serif; font-size: 16pt } 		H1.cjk { font-family: "Arial Unicode MS"; font-size: 16pt } 		H1.ctl { font-family: "Tahoma"; font-size: 16pt } 		H2 { margin-bottom: 0.21cm } 		H2.western { font-family: "Arial", sans-serif; font-size: 14pt; font-style: italic } 		H2.cjk { font-size: 14pt; font-style: italic } 		H2.ctl { font-size: 14pt; font-style: italic } --><img class="alignleft" src="http://ndn3.newsweek.com/media/25/71014_MoneyHappiness_vl-vertical.jpg" alt="" width="126" height="169" />For any musician or record label, having projects completed on time and within a set budget is crucial. Proper planning and due diligence are the only ways to ensure this happens. Here are a couple of universal tips based on my experiences in the studio.</p>
<h2>1. Come prepared</h2>
<p>Excuse me for being so obvious. Coming prepared to the studio is the number one way to save money, because you are saving time. Having your parts worked out and songs properly arranged before coming into the studio is crucial. Not only does it save time, but it lets you focus your efforts into finessing the finer points that make good songs sound great. It is also recommended that you<span id="more-202"></span> have charts written out for any other musicians playing on your record. This is not only common courtesy, but keeps communication simple and the creative momentum up.</p>
<h2>2. Use Proper Session Musicians</h2>
<p>This is a point I run into the ground at any recording seminars I speak at, or whenever talking to clients who are new to the recording process. It&#8217;s so important! Recording is a whole separate art, beyond just having the chops to play a song well. To get the best results for your record, use a professional with a lot of recording experience under their belt. A professional truly grasps how certain tones sound on record, and have a greater understanding of how the subtle nuances of their performance can affect a recording. Initially it may seem counter-intuitive that spending money to hire a professional can <em>save</em> you money, but it&#8217;s almost always true. Professional session musicians require far less editing, mixing, processing, etc, and therefore save you money in the long run, plus give you a superior final product.</p>
<h2>3. Time Management &amp; Expectations</h2>
<p>Many people who are new to the recording process make the mistake of thinking that the recording process only takes as long as you spend actually putting down your takes. Be aware that the editing and mixing process comprises the largest portion of time spent on a professional recording. Though every situation is different, a safe assumption is that for every hour you spend tracking your record, you can expect three more on the back end for editing &amp; mixing. By budgeting your time properly and maintaining your expectations of the outcome, you can come out of the recording process with everything you needed done without going over budget.</p>
<h2>4. Live Drums vs Programmed</h2>
<p><img class="alignright" title="Drum  Samples" src="http://jamiekuse.com/images/superiordrummer.jpg" alt="Drum Samples" width="218" height="152" />Recording and mixing a professional drum sound is one of the biggest challenges for an engineer. It is what separates a professional studio from the weekend warriors. You need a good room, a good kit, a good drummer, and the proper equipment. No matter who you are, it&#8217;s a time-consuming process. The setup, tracking and mixing of drums is very labour intensive. Though a real drummer playing a real kit is sometimes irreplaceable, in many cases you have other options. A lot of modern pop/rock drum sounds are not recorded live anymore, and if they were, chances are they are so sample replaced and quantized that they bear no resemblance to the original recordings.</p>
<p>Drum samples &amp; VST instruments have come very far in the past few years. We now have the freedom to hire a drummer to trigger samples using a good MIDI drum kit. Because of the quality of the drum samples, not only can you get a professional drum sound almost instantly, but you have the freedom to swap sounds around and quantize takes at a whim. Though it&#8217;s a a bit hard for some people to wrap their head around, I highly recommend considering this option for certain genres, especially where budget is an issue. At the very least, keep an open mind, because this technology is already an industry standard, and is improving greatly every year .</p>
<p><em>I hope these points help you in the planning of your next recording project. If you have any thoughts or tips to add, please do so in the comment section below.</em></p>
<p>﻿</p>
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